Hoda Afshar embraces the distance caused by leaving her homeland

Happy to be named as one of the eight up-and-coming photographers in Australia, along with some of my favourite peers and artist friends!...

Reading Max Pinckers’ powerful and engaging images, and reading what others have written about them, I am interested not only in the...

Images of lives, made to be remembered. Evidence, traces, of a history that still lives. Of souls still living. In still images, and in...

Abbas Kiarostami’s ‘Close-up’ (released in Iran in 1990) needs little introduction. This film not only introduced non-Iranian audiences...

I had the privilege of talking about my work and the ideas behind the exhibition to the audience at Brightspace Gallery today-- just a...

Thanks to Marina Trancoso for this beautiful write up on 'In the exodus, I love you more' featured on impressa magazine -- a young...

The documentary image—By embracing its reality as a fiction, and by announcing its own presence (and not only what it re-presents: the...

Thanks to Der Greif - Organization for Contemporary Photography for featuring "In the exodus, I love you in this week's Artist Feature....

I was invited to takeover the Photographic Museum of Humanity's Instagram page from 24-30 November. I shared images from both my...